If you read the minutes of Town Assembly meetings of the Village of Arden in the mid-1980s, you will find regular reports from an Ad Hoc committee – the Archives Committee.  Finally in September, 1989, this self-motivated and determined group became an official standing committee of the Village. There had long been an interest in the history of our village and the 75th anniversary in 1975 and the 80th celebration in 1980 helped crystalize that interest into action.  And Sally Hamburger was always in the forefront of the effort.
There is much to remember about Sally and her interest in the community of Arden and its unique history. She was instrumental in leading the effort to preserve our history for all of us to enjoy and to share with future generations.  Sally was part of that very special group of women we have come to call the Founding Mothers of the Arden Craft Shop Museum.
Those of you who knew Sally remember that she would be the best person to tell the story.  And the best way to tell what Sally did for the archives is to quote her own words.  We are fortunate to have a copy of the remarks she gave at the opening of the Museum in October, 2004.
Sally told the audience, “What an exciting moment this is for the Ardens, for all of us, and especially me. The dream began 15 years ago with the official formation of the Arden Archives Committee in 1989. In the beginning it wasn’t so much a dream as a panic. Oh, some of us had been conscious of the need to preserve the story of Arden, the 1980 celebration committee had gotten a grant from the Delaware Humanities Forum and created the first edition of the Arden Oral History; but it was the death of Virginia Shaw - Arden’s professional historian and archivist- that brought on the panic attack. Virginia could answer any question about who did or said what when in town; we counted on her official memory.
When Virginia died, 5 of us looked around and realized it was time to get serious about Arden’s history. So, the first committee was formed - Jean Brachman, Joan Colgan, Pat Liberman, Ethel Montfort and I began gathering art, sculpture, iron work, and files from attics and basements around town. For several years, the bust of Frank Stephens lived in my living room- my children draped him in tinsel for Christmas and gave him a mask for Halloween. 

​All of us on the Archives committee appreciate Sally’s dedication and value her hard work. What was once an idea, became a vison, and is now a reality. We have a museum which exhibits the early history of the Ardens, houses a huge photographic collection, hires professional curators, gives group tours, works with researchers, and enjoys a growing group of active and willing volunteers. Sally – all we can say is thank you so very much.
 
 
ACSM
Museum & Archives Committee
April 2022

When you visit our Images from the Ardens exhibition and take a good look at all the pieces of sculpture, you may notice that an old friend is missing.  Look closely at the assembled busts and you will find that Henry George is not in the group.  The bust of Henry George has been part of the collection since the beginning – well before the Museum was opened in 2004.  In fact, the piece was listed in the inventory done by the original Archives Committee in 1991.  This inventory was done by of University of Delaware intern and was paid for by a grant from the Delaware Heritage Commission.  Having this piece in our collection is an important link to our founders, Frank Stephens and Will Price, advocates of the Georgist concept of Land Value Tax.
 
The bust was done by one of George’s sons, Richard, a well-known sculptor. The piece, however, has never been in the best condition.  There are numerous scratches and scrapes on the surface.  And most visibly, the top half of the left ear has always been missing.  The Museum and Archives Committee has long wanted to have this piece repaired.

 The ACSM will open a modified version of our exhibition, Images from the Ardens 1900-1960, on Sunday, February 6th, from 1 to 3 pm, in the Bernie Schwab Community Room.  Although our main gallery space is still under renovation, we are enthusiastic about re-opening and sharing these wonderful pieces from our collection with the community.  Our open hours will be the same: Sundays from 1 PM – 3 PM and Wednesday evenings from 7:30 PM – 9 PM.  The important difference is that entrance to the building will be only through the Bernie Schwab Community Room door on Cherry Lane opposite Patro’s Path, at the back of the building.  The main door on Millers Road will not be open, but there will be signs to direct visitors to the BSCR door.  The space is, of course, much smaller so the number of visitors is limited to 5 at a time, masks must be worn inside the Museum, and we will try to observe as much social distancing as possible.
 
The exhibition itself will feature Portraits, Landscapes, Places and Spaces in the Ardens, and an interesting group of paintings in the Fantasy-Abstract category.  All in all, it is a special show with some artworks that are new to the collection.  We will also display the many busts which typically resided in the small porch off the Gallery.  You will now have a chance to see them in a more open space.  Many of these pieces are by Frank Stephens, but other artists are represented and they are an impressive group.  Be sure to look for two different images of the same person, done by two different sculptors.
 
We look forward to welcoming you back – please remember your mask – and enter via the BSCR door.
 
 
The Past Has a Future in the Ardens.

As we all know, renovations or remodeling in the older buildings in the Ardens can take many unexpected turns.  This has happened at the Craft Shop.  It is not really too surprising when you remember how old our building actually is.  When Frank Stephens purchased the Derrickson Farm in 1900, our building was one of the structures already on the property. It became know as The Red House and was the center of much of the social activity in the village before the Gild Hall was renovated in 1910 as a home for the Arden Club.   

The Arden Craft Shop Museum community celebrates and honors the life of our dear friend and supporter, Linda Eaton. Linda passed away on August 18th, after a courageous battle against a long-term illness. Linda came to Arden in 1993 after getting a position as a textile conservator at Winterthur Museum and Gardens. She went on to have a long and distinguished career at Winterthur, retiring as the John T. and Marjorie McGraw Director of Collections and was a recognized authority in her chosen field of textiles.

Linda wholeheartedly embraced life in the Ardens and became a founding member of the Arden Craft Shop Museum, Inc. Board in the 2002.  She served as one of the board's presidents, helping to preserve the unique history of the three Ardens. ​

Her professional museum expertise helped to make the Craft Shop Museum an important center for the history of the three villages. Not withstanding her demanding schedule at Winterthur, she never missed an event at the Museum. Linda was generous with her time and her talents, whether it was navigating a tricky board meeting, writing a perfectly worded grant request, or guiding our fledging museum into the future.  She was also known for offering sage advice and giving support to friends and neighbors during difficult times.

She had a playful side to her as well, playing baseball on the village green in games of Winterthur vs. Arden, sharing her love of single malt scotch in tastings at her home, and always being there to cheer on the participants in the ACRA games on the green at the fourth of July celebrations or at an art show in the Ardens; as well as arriving at a dinner party with a batch of homemade shortbread – fresh from the oven.
She will be missed by so many as a good neighbor and an even better friend. 

At this time the Arden Craft Shop Museum is temporarily closed for remodeling and we wanted to make our community aware of the reason.  
 
On August 4th the museum experienced water damage due to a sprinkler head going off in the apartment above the gallery.
 
Museum staff and volunteers were already onsite and, once ascertaining that it was safe to be in the building, immediately began moving collections and laying down plastic sheeting and buckets. They implemented our recently approved disaster response plan, which included alerting building manager Jamie Jamison and board chair Peter Slattery.  Both were onsite promptly.
 
Many thanks to the speedy response of the Claymont Fire Company, who arrived promptly!  Fortunately, their services were not needed.  A number of community members also pitched in to assist.
 
A local remediation company was called, and they came to the museum that evening, and, once the water stopped pouring, began the process of vacuuming and cleaning up. They also removed the damaged carpet and drywall.
 
Thankfully, the water only directly impacted the gallery space.  Due to this and the prompt work of staff, museum volunteers, and community members the damage to the collections was negligible.  Repairs will begin shortly, and we look forward to welcoming you back to the museum for our new exhibition Images from the Ardens: 1900-1960.
 
Many thanks to the museum volunteers and community members who helped out including: Jamie Jamison, Peter Slattery, Beverly Hawkins, Lindsey Sherwood, Liz Jones-Minsinger, Keith Minsinger, and Barbara Macklem.
 
 
The Past Has a Future in The Ardens
​

​Due to the 4th of July holiday the Museum will be closed Sunday the 4th.  Please enjoy these photos of Independence Day celebrations from the past!

One of the nicest features of the Archives Collections at the ACSM are the many tributes and articles written by unnamed folk about their favorite neighbors and friends.  One of these pieces, by an unknown friend, provides a beautiful portrait of Jimmie Ware.  The writer details Jimmie’s many accomplishments and her special qualities.  Among these are Jimmie’s reputation as a Gardener Extraordinaire.  She is remembered in her straw garden hat who could “… coax the most recalcitrant of plants to accept a home in her garden.”  The author continues with memories of Jimmie’s strong black coffee served at community breakfasts, of her participation in theater and music activities, her involvement in many political causes, and the loss of her son James during World War II.  All these qualities provide a picture of a most remarkable individual.  

  Prior to arriving in Arden, she was a student at the Pennsylvania Academy of Fine Art in Philadelphia.  Her Mother, Marian Von Wattenburg was reported to have been a member of several professional acting groups, so the younger woman’s interest in the theater probably came from an early age.  Just what drew her to the Ardens is not known, but her life in the community mirrors the lives of so many who made the villages the special places they are today.​

     
Edith “Jimmie” Ware arrived in Arden in 1906 – almost at the very beginning of the communities now known as the Ardens.  Very little seems to be known about the origin of her very boyish nickname, but the woman herself was an admired artist and a valued friend and neighbor.  She was only 18 when she moved to Arden and was soon involved in the weekly Shakespeare performances that took place in the Field Theatre. In 1917, she married Hamilton D. “Buzz” Ware.  According to her 1983 obituary, “…the pair became outstanding leaders in the comprehensive cultural development of the village…”  The wedding must have been a grand Arden celebration – among the gifts they received was a set of silver teaspoons and a silver mug, made by village silversmith Margaret Wood.  The family grew to include daughter Joan in March 1919 and twins James and John in December 1924.
 
Notwithstanding all her activities, as well as raising a family; Ware found time to paint.  In a review of her show at the Warehouse Gallery in 1968, Betty Burroughs (a newspaper columnist who also lived in Arden) wrote that many of Ward’s watercolors showed her love of the nature.  There were pansies, pussy willows, and apple blossoms; as well as seascapes from Maine.  The column also quotes Joan Ware Colgan, Ware’s daughter, discussing the abstract paintings that appear in the show.  Colgan explained that her Mother disliked the early abstract work when she first saw it and framed her color-splattered paint cloth as a rebuff to those artists.  Burroughs reported that even Ware’s abstracts found acceptance due to her “…fine sense of color.”  Ware’s work continues to be treasured in many homes in the Ardens. ​

Almost everyone knows the name Frank Stephens and the role he and Will Price played in founding the communities we now call the Ardens.  We know Stephens to be a proponent of Henry George and his economic ideas, a sculptor, and the founder of several other single-tax enclaves.  Today, however, few of us remember the extensive amount of writing he did – and not all of it in support of the single tax movement.
 
In 1935, after Stephens’ death, a collection of his poems was published in the book, Some Songs.  These poems cover a wide variety of themes.  There are birthday greetings, campaign songs, memorials, and even 13 poetic advertisements for the Arden Forge. The book also included essays about Stephens written by his friends. The book has long been a favorite among Arden Folk and indeed the Museum has a number of copies.
 
As the weather warms and the evenings grow longer, the following stanza from “The Day’s End” seems like a fitting way to remember Frank Stephens and all he has meant to the Ardens.
                       
​                        Would I might see and know the days,
                        As in some wonder-mirror clear,
                        That, alien, exiled as I stray,
                        Beyond those Hills of Far-away
                        Still lies the Land of Always-near.

It's no great surprise that Frank Stephens, a lover of Shakespeare, the founder of Arden, and an artist, would have a way with words. 

​Enjoy this poem "To Eleanor" from Some Songs:

O! Heart--hold closer by me, for this life
Hath really neither breadth nor height nor depth
Other than love; and all material forms
That hedge us round and seem to bound our world
Are rough daubed scenes upon whose little stage
We play this tragic comedy of life--
That mirrors forth some larger world beyond--
Only the purpose, born of love, is real.